Postcolonial Fandango
Camilo Arias Cuellar
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Camilo Arias Cuellar Camilo Arias Cuellar studied classical violin at the University of Arts of Hamburg, and baroque violin at the University of Arts Frankfurt on The Main. He has been awarded with the excellence-prizes “Hermann und Milena Ebel” and “Deutschlandstipendium”. He was a member of the Theater-Orchestra of the city Kaiserslautern and has performed with different Ensembles and figures of the Early Music Movement such as Chiara Banchini, Petra Müllejans, Philippe Herreweghe, Alfredo Bernardini, Midori Seiler, Sigiswald Kuijken, Les Arts Florissants, Bremer Barockorchester and Los Temperamentos (a.o.)
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Hugo Miguel de Rodas Sanchez
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Hugo Miguel de Rodas Sanchez Lutenist and guitarist Hugo Miguel de Rodas Sanchez was born in Mexico City, where he originally studied classical guitar at the Universidad Nacional Autónoma de Mexico.
In 2004 he won the Rosa Mistica, a guitar competition in Curitiva, Brazil, before he began focusing on historical lute instruments and performing early music practice. He attended numerous master classes and was invited by the Freiburg Baroque Orchestra to enhance his studies in Europe in 2008. He then studied lute instruments and baroque guitar with Lee Santana and Joachim Held at the Hochschule für Künste Bremen. |
Claudia Velez |
Claudia Velez A musician originally from Mexico City, based in the Netherlands. Claudia plays double bass and Violone (early music instrument). She has collaborated with different baroque orchestras such as Holland Baroque and ConcertoValiante, she has worked with artists from different parts of the world working on her music combined with theatre, painting and drawings, dance and even virtual reality. In 2017 she worked in an opera production from the Grachten Festival in Amsterdam and in 2021 she gave several concerts thought The Netherlands with an artistic production from the Theatre Rotterdam.Claudia also creates her artistic projects combining her unique baroque instrument with the contemporary art and needs from the current society.
She studied the bachelor at the Conservatory of Amsterdam and the master in early music at the Royal Conservatory The Hague where she currently teaches young double bass players. |
Programma
John Playford (1657-1709) - The Division Violin
● Divisions Upon “John Come Kiss Me”
Heinrich Ignanz Biber (1644-1704) / Improvisation
● Passacalle
Traditional Venezuelan
● Pajarillo
John Playford (1657-1709) - The Division Violin
● Divisions Upon Faronells Ground
Traditional Mexican
● La Huasanga (The “Fiesta”)
● Divisions Upon “John Come Kiss Me”
Heinrich Ignanz Biber (1644-1704) / Improvisation
● Passacalle
Traditional Venezuelan
● Pajarillo
John Playford (1657-1709) - The Division Violin
● Divisions Upon Faronells Ground
Traditional Mexican
● La Huasanga (The “Fiesta”)